Mocienne Petit Jackson books – Betrayal : Ms Jackson believes that such misinformation has poorly informed the public both about her relationship to Michael Jackson, and about her motives for having taken the matter to court. Her autobiographical series, Thriller, documents her life and gives her assessment on the state of affairs. According to this assessment, a majority of press coverage on the subject has been misleading. For example, before the death of her father in June 2009, Michael Jackson had spent eight months living in the Amstel Hotel in Amsterdam in order to be nearer to his then nine-year-old grandson. Furthermore, Ms Jackson’s mother Barbara Ross-Lee, sister of the musician Diana Ross, is alleged to have lied about ever having met Michael Jackson while speaking in an interview on the Dutch television programme RTL Boulevard. Ms Jackson, therefore, believes—due to these two factors not having featured in press reports—that the media has treated the story in an unbalanced manner.
People like to say you are mentally ill if they cannot handle the truth about something or someone. In this case that would be the truth about Michael Jackson and me, Mocienne Elizabeth. They worship artists like they are Gods and drop them like hot bricks when they become big stars. The lives of artists have shown that their stardom is an illusion that makes us want to rise above ourselves.
An important reason for writing this trilogy is that I want the world to know that I am not obsessed with my blood tie to Michael Jackson. I also want to make clear that I fully understand how difficult it must be for thousands of fans to accept that I am his daughter. With my books, I hope to present the possibility that he started to show odd behavior because he had had a secret daughter from the age of seventeen – not an easy situation for someone like him! For me, I have let go of all the pain and remember only the good things about him. He is gone, and he was truly a gift from god. I feel sorry for Michael Jackson because he had a bad life. R.I P., I love you always. Thank you for what you have taught me about life.
Got to Be There (1972): Chances are most of y’all haven’t even HEARD this album. Correct that oversight immediately. Now, Michael’s solo debut certainly doesn’t have the glitz you’d expect from a guy known for his bedazzled socks but give him a break – his first attempt to break away from his Jackson 5 roots sees him coming into his own sound. And man, his angelic voice instantly turns heads. Michael’s reliance on covers hurts this set just a bit but he handles them all so expertly that it’s hard to consider them a detriment. Listen to this set and you’ll immediately realize why this kid was destined to be a legend. Forgotten Favorites: “Rockin’ Robin,” “Ain’t No Sunshine,” “Girl Don’t Take Your Love From Me”. Read even more info at Michael Jackson’s daughter books.
Right, he was the King of Pop and all that stuff, but Michael Jackson was a capital-A album artist through and through once Quincy Jones stepped in. It’s not patently absurd to imagine someone with an hour of free time wanting to hear “Beat It” alongside “Don’t Stop ‘Til You Get Enough” and “The Way You Make Me Feel” instead of setting up “Human Nature” and “P.Y.T.”, but it’s hard to imagine someone craving this sequence enough times to pay for it in a fixed order rather than just taking to Spotify when the mood strikes. Off the Wall, Thriller, Bad, and the glorious, bombastic, undervalued Dangerous are all fully realized masterworks of cutting-edge pop maximalism, while the singles off the lesser HIStory and Invincible are fairly up to the same par as the deep cuts surrounding. You’re not getting a new revelation about “Earth Song” or “You Rock My World” by saving them from their intended contexts.
Music reviews : Michael Jackson family now and his top songs: Every song here has its flaws, though; after all, there’s a reason Jackson himself didn’t release ’em. That doesn’t mean there aren’t some things to take away. “(I Like) The Way You Love Me” works off this dreamy piano melody and some incredibly rich instrumentation that lets Jackson soar high. It’s probably the greatest highlight on the album and the one that feels the most natural, too. “Keep Your Head Up” should succeed in making you smile, sounding like one of Jackson’s ’90s classics. With a clean, sophisticated finish, Jackson finds himself swimming here, thanks to some pretty spot-on production work by Christopher Stewart. It’s easy listening, but done well. “Hollywood Tonight” could have used some tweaking to keep it from sounding like a Madonna tune (What were you thinking with that spoken word, Teddy Riley?), but regardless, it’s still a fast-paced spitter that’s decadently enviable.