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Best 5 politics videos of 2019

Highest income on YT ? As the kids have shown, the videos are just the start. Ryan now has a line of branded toys, clothing and home goods sold at Target, Walmart and Amazon, a spinoff television show on Nickelodeon and a deal with Hulu to repackage his videos. Nastya, who gets six-figure checks from sponsor brands including Dannon and Legoland, will be launching a line of toys and mobile game, and publishing a book next year. Last year, she moved with her parents from Krasnodar, Russia, and now lives in Boca Raton, Florida. Videos with children in them average almost three times as many views as other types of videos from high-subscriber channels, according to a Pew Research Center study done this year. Another Pew study revealed that 81% of parents with children 11 or younger let their kids watch YouTube.

Call it the “female Superbad.” Or read it for what it really is—a fantastic coming of age film for young women that has been sorely missing from the comedic canon for a while now. Olivia Wilde’s directorial debut was an outstanding showing, and the film feels perfectly timed. Even if it didn’t crush at the box office, Booksmart’s journey of do-good girls getting in one wild tryst before graduation is pitch perfect.

In six minutes, comedian Judson Laipply performs a medley of dance moves spanning the decades. Laipply covers everything from Elvis’s “You Ain’t Nothin’ But A Hounddog” to disco, heavy metal, the Robot, the Moonwalk, the Hammer Dance, and more. With more than 300 million views this remains one of the top-viewed videos on YouTube. It’s nearly impossible not to smile when watching it. Find additional amazing clips on yt.

Best clip for a song in 2019 ? The east coast sibling to Lana Del Rey’s The Greatest: how did we get here, with antisemitism resurgent and “wicked snakes inside a place you thought was dignified”, Ezra Koenig asks? As with Del Rey’s valedictory ballad, he avoids obvious musical darkness and shoots for a more striking contrast by invoking the vivid, happy sounds of various 20th-century utopias: the pattering hand percussion calls back to hippies sitting in circles during the age of Aquarius; its sweet guitar filigree is straight out of Mister Rogers’ Neighborhood, the show that taught empathy to a generation of American kids. The rising piano chatter sits halfway between house music and Bruce Hornsby, and by the time the shaky beat kicks in, it’s turned into the ecstasy-laced optimism of the Stone Roses. These eras rise and fall, Koenig suggests, offering his own song so it might be remembered as a gesture of hope and intellect during a particularly senseless one.